Harriet Mena Hill
(UK; born 1966)
The Aylesbury Fragments
The Aylesbury Estate in Walworth in south east London, was home to some 10,000 people. Built between 1963 and 1977, its 2700 dwellings were first regarded as a flagship example of post-war clearance and modernist urban planning. The idyll did not last long and now a major – and, in many ways, contentious - regeneration programme is well under way, involving demolition on a huge scale. Harriet Mena Hill started working on the estate running art projects with residents in 2018; as demolition progressed, she started collecting concrete debris from the sites, recycling it as a series of “portraits” of the disappearing estate.
For a more comprehensive insight into this important and ongoing project, it is well worth having a look at this recent interview by @tinctureofmuseum
In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
East Coker (1940) by TS Eliot
Youth Club end, Wendover 2024 SOLD
Acrylic on salvaged concrete; 20.5 x 18 x 5 cm
Landings II 2024 SOLD
Acrylic on salvaged concrete; 20 x 18.5 x 5.5 cm
Taplow washing lines 2022
Acrylic on salvaged concrete; 13 x 30 x 3.5 cm
Lord Trapy Vex 2024
Acrylic on salvaged concrete; 18 x 24 x 5.5 cm
Place of dreams 2023
Acrylic on salvaged concrete; 20.5 x 18 x 5 cm
Traces 2024
Acrylic on salvaged concrete; 20.5 x 14 x 5 cm
Elegy 2022 SOLD
Acrylic on salvaged concrete; 19.5 x 14 x 13 cm
Torn out 2023
Acrylic on salvaged concrete; 23 x 14 x 6 cm
Prices available on request.