The work of Georgia Moors allies technical virtuosity with an intense scrutiny of her subject. Her engagement with that subject – usually inanimate, plucked flora, from root to flower - will often last many months, the finished work slowly being built up layer by layer, mark by mark.

However prolonged, almost meditative, the process, what really sets Moors apart is her extraordinary ability to then imbue the physical object with a profound emotional resonance. Whether it be a drawing or an egg tempera painting, a work by Moors, with little fuss or bravado, elevates that object into a joyful celebration of the natural world. She may be seen as a worthy heir to a small, quiet tradition of British artists who have engaged with the natural world at its most fundamental, from Nathaniel Bacon to Eliot Hodgkin.